Since joining Print Center in 2019, she has played a key role in leading the organization through a transformational strategic plan that included a move to a new, ground-floor exhibition space in the heart of Chelsea, growing the organization’s operational and programmatic capacity, and sharpening its artistic vision. Working with invited guest curators, she has developed a program of exhibitions that have solidified the Center’s reputation for its rigorous yet accessible curatorial approach. She has also significantly grown the organization's educational and public program offerings and led development of a new exhibition and artist development program that aims to provide meaningful material, artistic, and community support to emerging artists working in print. In 2025, she launched the Center’s first open call for emerging curators.

As a curator, her recent projects include the New York presentation of Storywork: The Prints of Marie Watt (2024, with Robin Siddall; originally University Galleries at the University of San Diego); and Nicole Eisenman: Prince (2023, with Judy Hecker). With Alex Santana, she is co-curating Felipe Baeza’s first institutional exhibition in New York, scheduled for 2026.

Bratovich has previously held positions at Hunter College Art Galleries and Women's Studio Workshop. She received her BA from the University of Rochester and her MA in art history from Hunter College, where she focused on postwar practices in Europe, the US, and Latin America. Her curatorial work is informed by the idea of the exhibition as a forum for public learning and discourse, and by artist-centered approaches to both expanding histories and uplifting emerging artists. She is interested in how print, as a set of tools, processes, and strategies, is used by artists working within interdisciplinary practices.

Jenn also serves on the Board of Directors at Women's Studio Workshop.